Hindustani Classical Vocal Lessons in Raag Jhinjoti are provided by Indian Classical Music School
in New York. The Bandish composed in
this particular raga is being complied in Taal Teental with Sixteen Beats. It is
being specified that this detailed raag is essentially reflected as “ Ashraya
Raag” of Khamaj Thaat. As all the seven
musical notes are applied in this raga, it is being well acknowledged as
Sampoorna.
Asthai
- Pahun Aave Baan Kab Mori Madaiya
Raghurai |
Antara
- Jugat
Jugayo Ber Sumithe , ‘ Ramrang Aavan Aas le Dou Bhai
||
Asthai
Ga Sa
Re Ma |
Ga - Sa
- Re |
Ni(k) Dha Ni(k)
Dha Pa |’Dha Sa
Re Ga |
S Pa
Shu n |
Aa S Ve
S Ba |an S S Ka
S | b
S S
S
|
3 x 2 o
Ma Re
Ma Pa |
Dha Ni(k) Dha Ni(k)
Dha Pa |
Dha - Pa
- |
S Mo
ri Ma | dai
ya S SRa ghu |
Ra S S
S |
3 x 2
Ma -
Ga Re Ga |
Sa, Dha’ Sa -
Re Ma |
S S
S S S | i Pa
S hu n
|
o 3
Antara
-
Dha Ma - Pa
- Dha |
Sa’ - Sa’
- | Dha
Sa Re’ Ma’ |
Ga’ Sa’
Sa’ Re’ |
S
Ju g S at
S Ju | Ga
S Yo S
| Be S
r Su | mi
S S S
|
3
x 2 o
Ni (k) Dha Ni(k) Dha
Pa | Pa Pa Dha
Ma - Pa | Ga
- Re Sa |
Ni(k) Dha Ni(k) Dha
Pa
the SS S S |Ra
m S S SS
| Ran S
S g | Aa
S S
va
n
3 x 2 o
Dha Sa
Re Ma | Pa Dha Ni (k) Dha
Ni(k) Dha Pa | Dha - Pa - |
Aa S
s Le |
S S S
S S Do
u | Bha
S S S
|
3 x
2
Ma -
Ga Re Ga |
Sa Ga Re - Ga
Ma |
S S
S S S
| i Pa S S
Hu n
|
o 3
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